 The tangle of cables coming out of the console. The piece of lumber with barrier strips mounted on it is a template for cable fabrication |
 Cables from the console. |
 One corner of the main cabling jig with part of a newly fabricated keying cable |
 One row of the main cabling jig with one end of a main keying cable (this one destined for the choir ranks). The barrier strips are a jig for the end of the cable that connects via barrier strips to the console cables. |
 A section of the main keying cable to the unified Viola rank. |
 A pporly focused section of the main keying cable for the Unified Diapason rank. This is the original cable from the console which was long enough to connect directly. |
 Lower octaves of the main keying cable for the unified Tuba rank. |
 Section of the new Unified Viola keying cable (top) connected via barrier strips to the cable from the console (bottom). |
 The main keying cable interface for the unified Tuba rank. |
 The lowest two octaves of the Unified Viola keying interface. The separate bundles on the old cable are an artifact of the original cable lacing. |
 Power distribution nodes for the circuit boards. The rather haphazard cables will be organized later. |
 A poorly focused picture of the jig for circuit board power and audio signal distribution. |
 Power and audio signal distribution cable almost ready to be tied up and installed. |
 Will Martin working on power/audio signal distribution cable. |
 Power and audio signal distribution cable for unified Diapason rank (boards on right). |
 Power and audio signal distribution detail (boards on right). |
This page last updated at
CHORD site maintained by Dr. William Park. Please address comments or suggestions to parkw@ces.clemson.edu
